How can I truly exist
When I don't belong here in the first place?
The sub-microton dust has settled,
containing the panspermia virus.
You're a pile of sick
convincing the populace
you are what's divine
they need you to survive
Nibriu, I call on thee, come and set them free. Your presence can not wait so just resume their course of fate.
The obelisks are set in place, Anglo Saxons upon our face, I'm afraid it is too late.
(It is too late)
Violence becomes a way of existence
when all you feel is hateful persistence.
These lessons will not lessen.
Violence becomes a way of existence
when all you feel is hateful persistence.
These lessons will not lessen.
You must seek the truth (looking into your swimming mind)
This is part of you (humanity is insanity)
You will own up to (karma in its deepest form)
All the shit you do (relinquish yourself)
Open the portal to our vessel
Have you seen one before?
It's special.
(X2)
Your extrasensory, perception
is calcified.
Open the portal to our vessel
Have you seen one before?
It's special.
(X2)
Your extrasensory, perception
is calcified.
The axiom of why we are still here,
is because we do not have the resources to leave.
Fossil fuels are unrelated, we despise the drills that have regurgitated a previous species now outdated and it's depleting faster than anticipated.
Finally, we can return home.
It is where we belong
Get me off this cancer stone.
We've been patient, laying dormant, remaining silent, withstanding torment, gaining knowledge in the human landfill; rotting.
Returning home through The Void
credits
from The Inexorable Nemesis,
released May 12, 2017
All lyrics written and performed by Marcus Schwager
Symphonic stuff in metal doesn’t make its way into my collection aside from a couple of early Cradle albums. The orch here though just ads to how huge this band sounds. It makes elements in the songs more immersive. There are plenty of breaks from orchestration where its in deathcore/slamming brutality mode. While not ignorant, the songs never play with time or get mathy making it accessible and memorable. Came out 2015? Impressed. Mitch Mitcherson